![]() Īfter leaving the band before it completed recording its "Third Stage" album, he played drums for Boston bandmate Barry Goudreau's eponymous 1980 solo album, which spawned the hit "Dreams." Played on the Top 100 records "More Than a Feeling". Hashian played on "Boston," which included the band's huge classic rock hit, "More Than a Feeling." He also played on Boston's next album, "Don't Look Back." 17, 1949, became Boston's drummer after the band's label, Epic Records, insisted on a replacement for band founder Tom Scholz's first-choice timekeeper, Jim Masdea. Hashian, who was born John Thomas Hashian Aug. Attempts to revive him were unsuccessful. Hashian collapsed onstage while touring as part of the Legends of Rock Cruise. Barry from Sauquoit, NyPer: John 'Sib' Hashian, the former original drummer for the rock band Boston who played on their self-titled debut item, died Wednesday, March 22, 2017, while playing onstage, according to multiple news sources.Casey from Chicago, IlThis song has the greatest guitar solo of all time.Peter Moncur from Melbourne AustraliaAlways loved bostons music very sad about brad delp.Eric Shippert from U.s.Where was the video for Don't look back, filmed?.Result: You now have an “As is” and a “To be” model. Now, with the right (positive) intentions, you “Flip It”. If there is a negative effect use horizontal thinking to identify the complete opposite.Ħ. You will need to identify if there is a positive or negative effect on the need.ĥ. Maslow Theory of need for your customers), and it should be in direct alignment with the overall goal.Ĥ. The core element should have a direct effect on a need (i.e. You will now have to use vertical thinking until you reach the core element. Take the objective information and bring it down, which will allow you to gain a deeper perspective. Take the surface information and identify objective vs subjective information.ģ. What someone tells you the process does or does not do).Ģ. The face value of the process is what I consider the surface view (i.e. What, who, why and how is the model affecting the overall goal. Take the initial view of the process and think horizontally by asking the following questions: ** Personally, I call it the “flip it” effect.īut, I believe before you flip anything or go in a different direction, it’s important to analyze and understand the model in its entirety before you “flip it”.įor example, if there is a need to create a new solution to a business problem, you need to evaluate the business process (i.e, conventional wisdom or another words how its always been done).ġ. I agree with your statement, “The biggest winners, however, come not from chasing, but from running in a different direction.” Now, what can you do that’s not supposed to work? What’s the conventional wisdom in your industry or niche? The biggest winners, however, come not from chasing, but from running in a different direction. You can make money chasing trends and being a “me too” marketer. Soon we had Clear Channel “alternative” rock stations (an oxymoron of epic proportions) and Britney and the boy bands became the next big thing. Nirvana was not supposed to be on the radio. I was driving on Loop 610 in Houston, and Smells Like Teen Spirit came on the local rock station. ![]() ![]() A band from Seattle did something that wasn’t supposed to work.Īs a long-time fan of alternative music, I still vividly remember the day. Then in 1991, 15 years after Boston, history repeated itself. The corporate rock trend continued throughout the 80s and into the 90s, reaching its ridiculous extreme with packaged metal “hair bands.” For every Guns N’ Roses there were ten poseur acts aimed at 13-year-old girls everywhere. Boston spawned an entire industry genre (poetically known as Corporate Rock) as music marketing executives scrambled to produce loads of radio-friendly rock for the masses. history, with over 17 million copies sold. It remains the best-selling debut album in U.S. This music wasn’t going to work anyway, right?Įventually, Scholz prevailed and Boston was released. And even after he signed with Epic, he got nothing but hassle from the label as he fought to release the band’s eponymous debut. Rock was dead they all said, and this is even before Saturday Night Fever brought disco to middle America.īut then just another band out of Boston turned that wisdom on its head.īoston founder Tom Scholz struggled to get a record deal. Back in 1976, the music industry was in a full-tilt disco craze.Īll the smart money was chasing new disco acts based on the success of tunes like The Hustle and Jive Talkin’ by the Bee Gees in 1975.
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